What’s really nice is that eventually that story proved itself to be as lame as we thought it would be, and it came back to our story, the one we’d been fighting for.
#Animated screenplays wanted for movie#
When it became obvious that it was going to be about a Shrek who decides to go be a knight to get people to like him, that was the point where we said that if we stayed on the project as writers, we were going to be standing in the way of what needs to happen to get this movie made. So it becomes very wearing on writers when you’re asked to write a scene that you just don’t think is right. It’s not just about exploring the right story, it’s exploring every story. So there’s some character or facial nuances that might not be able to be pulled off in animation, but meanwhile it would be easier to write a giant pterodactyl flying over the White House.Īndrew Kevin Walker, Nerdland Finding the Right Story In animation, you can have fifteen thousand helicopters fly over the Grand Canyon.Īnd you can definitely write all kinds of emotion between the characters for animation, but you also have to remember that unless you’re doing a giant 3D animated thing, it might not capture every little nuance.
#Animated screenplays wanted for full#
And, of course, you can click on the links for the full articles. So read on for a compilation of their advice, including appealing to all ages, finding emotional balance, and the advantages of collaboration. This makes writing screenplays for animated films a much more collective and on-going process.Ĭreative Screenwriting have interviewed the creative minds behind many great animated movies, including the Oscar-winning films Shrek, Up and Zootopia. Involved in that decision can be multiple directors, screenwriters, producers, story supervisors, story artists, and story consultants, among many other creative roles. In the long process of bringing an animated film to theaters, an original concept might undergo half a dozen or more different transformations, before a final story is set only months before release. Crafting a story for a film is a collaborative process, and that is most apparent in animation.
Most screenwriters are aware that the romanticized fantasy of the lone screenwriter typing out a masterpiece on his or her own is just that – a fantasy.
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